abstract painting in neutrals and magenta

“Undercurrent”, 12×12″ Acrylic on canvas.

I’m slowly making my way through the pile of canvases I have stashed in my studio. In a perfect world, I’d use up the ones I have sitting around before I go and buy new ones, but I doubt it will work that way. I’ve already got some vague idea about how I want this work displayed, and what I’ve got hanging around isn’t really going to fit. And I usually like to have a selection of small pieces done before moving on to the bigger ones.  There is something about working that way that keeps me in my flow state.

I’ve written before about how working in a series keeps my momentum going. I know that is how my brain works. Being somewhat easily distracted, I know that going off in a different direction can sometimes derail me completely. Even so, I’m looking forward to participating in some plein-air sessions a local artist is arranging over the summer. I like painting landscapes, but hopefully not enough that it will completely distract me. I don’t think I particularly like painting plein-air (which only means, for you non-artist type people, painting outside on location), but I’ve only done it a couple times so maybe I haven’t given it a decent opportunity to enthrall me. It’s worth trying again, and it will get me outside my studio on my days off work. I can foresee this current project becoming all consuming, and the summer disappearing without me taking the time to enjoy it. That won’t do. I’m trapped in a building 40+ hours a week. I refuse to spend all my remaining time indoors.

As I write this, the sun is streaming in my windows and the radio says it’s a balmy 12°C. Ok, maybe that’s not so balmy, but after a Canadian winter, it feels wonderful. I’m going to head outside for a long, meditative walk before I start my weekend work. Hopefully, it will get me into the right state of mind to figure out what I’m doing with the canvas I covered with drywall compound a couple days ago. Because at the moment, I really don’t have a clue.