Marianne Morris | Artist

Living Life in Full Colour

A fine mess I’ve made here…

journal painting

I painted over this one 3 or 4 times. I’m not impressed, but I finally just decided to move on. Looking at it now, a few days later, I can see what’s wrong with it. Time, I suppose, is the artist’s friend.

While I’m in my exploratory stage, I do my best work when I approach it without any semblance of a plan. Not that hard really, knowing that even when I do have a plan, it very rarely works out the way I think it will.

Working as I do, I always get caught up in something. Sometimes it’s the way the paint is flowing, sometimes it is a subject, or maybe an emotion. I will try to identify what it is that grabs me, and then keep following the thread until I get to the end… or I lose interest, whichever comes first. That may be a half-dozen pieces, or it could keep me occupied for much, much longer. For instance, my Fascinating Rhythm series ended up being almost 50 paintings, and took me close to 2 years.

For this project, while I’ve identified what I loved about my trip to Portugal, I’ve yet to figure out how I’m going to translate that visually. I don’t particularly want to paint a bunch of landscapes. I could, and they would probably sell, but I’m much more interested painting abstracts. Maybe it’s time to forget about doing a concrete “inspired by” kind of collection, and just let its influence come through however it decides to show up. Any of my artist friends have suggestions on that?

ink drawing of a Beagle, Boarder CollieX

This little doggie was distracting me. She wanted my undivided attention at all times.

This week my work time was seriously curtailed by the furry visitor we had. Destiny is a beagle, border collie cross… and spending time with her you could see exactly how each breed influenced her personality. Nose to the ground for the entire time we were outside, going faster than any big dog I’ve walked, but stubbornly refusing to move if she smelled something interesting. That’s so Beagle. Inside, she would stare a hole through me if I was not paying attention to her. She wanted to be in my lap if at all possible. Made it a bit difficult to paint. Still, it was fun to have her here. And it is short term. If she were my dog I’d have to figure something out, but now she’s gone home, and I have a week free before the next one arrives. I’m certain I’ll get my paintings figured out by next week. I need to…. the clock is ticking.

4 Comments

  1. As you know ,I am not an artist ,but I love art. I am counting the days to seeing the art –in person — that you and the other artists left in my house . I love your abstracts – but your talent (I think ) is capturing the actual visual . I know , that every time I look at your art in my home , I will smile .

    • I hope you love it all… you have such a collection! I loved the villa, loved the city, loved the country…and I’m trying to figure out a way to go back!

  2. Hi Marianne – abstraction will be a great way to present your new bodywork. Why don’t you gather up all of the inspiring photographs from your trip and put together and maybe something will come of that. There will be shapes. There will be colours. Patina. And I’m sure there will be feelings too – both passive and experienced. Try talking it through with a friend or an associate – because when you take all those dreamlike thoughts from your brain and talk about them and explain them – the simple fact of putting these thoughts into concrete words will make it much more concrete for you. I’m really excited what you going to produce!

    • Great idea, Kevin. I’ve been looking through my sketchbook and photos and I think I have somewhere to start anyway. I’ll do a couple more experiments and see where it goes…

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