I’ve written before about how I’ve taped up photos from my Portugal trip around my studio for inspiration while I’m working. For the most part, you can’t really tell what I was looking at from my finished pieces. It’s vague… a colour here, a shape there… things picked from an image and put in an entirely different context.
I wanted to incorporate all the arches I saw there into my work somehow. If you look closely, you’ll see them appear here and there. The craggy rock cliffs appear more in the textured areas than in the shapes, but they are there. The way the concrete goes from smooth to eroded inspired many an edge. These two pieces are a much more literal interpretation, although still very abstract.
In “Borrowed View”, what I see (which is probably not at all what someone else will see), is a representation of my view from the villa balcony. The church is at the highest point in the city, the grove of green between where I was and the town, the cliffs are there, and a vague reference to the city emerging from the rock.
“Echoes of an Ancient Time” reminds me of Lisbon, and how coming around a corner suddenly revealed the amazing aqueduct rising from the city. Not literal of course. The aqueduct is enormous. I tried to get the feeling of awe I had when it came into view.
I’ve been working at breakneck speed the last few months. I imagine when I arrive at the gallery once the show is hung, I will be able to see things I haven’t noticed so far (and will possibly want to change once I see it). How much will it feel like me? I know that so far my pieces have primarily been light. As in a feeling of light as opposed to the deep, heavy colour of my previous work. I should probably try to complete a couple darker pieces for balance. It’s difficult for me to think of these paintings as a group because I’m so focused on each individual piece as I’m working on them. But as I’m nearing the end of my time limit (hubby has already started ripping stuff out of my kitchen), it’s something I can’ t put off any longer.